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žena:\zhay'na\ means woman in czech moon:\moon\ honors the power, cycles and light reflected throughout our lives |
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letting go |
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obelisk (not shown) - 3"x8", burns up to 80 hours
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About This Candle Life is a continuous, renewable cycle of letting go and welcoming anew: from something as simple as the seasons to more emotionally complex aspects of life such as friends, careers, beliefs and other things. While welcoming the new can present its own challenges, they usually pale in comparison to the challenges of letting go. As I move through life, I burn this candle more frequently than any other. Letting go of emotional attachments, fears, people, habits, a career in corporate America to pursue zena moon . . . recognizing and releasing whatever no longer serves my highest good in order to make room for what does. We all need support summoning the strength to let go, then trusting the process. Let the flame of this candle signify the flame within you that knows exactly what's right for you. —Carla Blazek, creator, zena moon |
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Our Recommended Books, Music & Movies for Letting Go zena moon sells books, CDs and DVDs in association with Amazon.com. To order, click on the item's title or image, then add it to your Amazon shopping cart. Orders are then filled and shipped by Amazon. Send us your recommendations for this page--we may post them here.
Last updated 12/20/2005
1. Learning to Fly : Reflections on Fear, Trust and the Joy of Letting Go
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From Amazon.com: For as far back as he could remember, Sam Keen had dreamed of flying. And so just before his 62nd birthday, Keen enrolled in a trapeze class at the San Francisco School of Circus Arts, thus becoming "the oldest student at the circus." In this richly written memoir, Keen uses the details of trapeze training to frame his spiritual understanding of the world. Not surprisingly, the flight metaphors work--giving room for chapters titled "Leap of Faith," "A Fledgling Among the Eagles," and "On the Wings of Spirit."
As a graduate of Harvard Divinity School, Keen is a fine memoirist--able to step outside himself to tell a good story and willing to share his humiliations and inner fears as he became a student of flight. "My failures have taught me there is always a second chance.... Failing gives fallible human beings a chance to start over. And that is why every man, woman, and society needs a safety net." He now leads an "Upward Bound" trapeze program for abused women, drug addicts, and inner-city school children.
2. The Little Book of Letting Go
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From Amazon.com: Bestselling author Hugh Prather has a knack for putting his finger on the pulse of America's emotional and spiritual angst. In The Little Book of Letting Go he gives voice to the internal chatter that prevents us from enjoying or pursuing our true desires. "Within our human heart we all feel the call to be simple, to be present, to be real," Prather writes. "Yet throughout the day, the world urges us to be at war with ourselves and each other: 'Be resentful about the past.' 'Be anxious about the future.' 'Be dissatisfied with what you do see.' 'Be guilty.' 'Be important.' 'Be bored.'" Prather compares these thoughts to the stale clutter in the back of our refrigerators. By cleaning out our minds, we allow room for fresher and more nourishing foods for thought.
In this little book on mental cleansing, Prather uses personal stories as well as step-by-step exercises to help readers understand the rewards and the process of letting go. For example, in the section on letting go of guilt and hurtful actions, Prather suggests that for at least one day readers "rise from sleep and make your purpose only this: 'I will go through this day harmlessly. I will hurt no one in my thoughts or in my actions, including myself.'" Prather includes numerous similar kinds of assignments in all of his chapters, including how to let go of..."Mental Pollutants," "Misery," "Prediction and Control," and "Spiritual Specialness."
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From Amazon.com: Focusing on self-esteem and acceptance, and written in the direct unsentimental style of Beattie's bestsellers, these daily meditations give voice to the thoughts and feelings common to men and women in recovery. They encourage reflection on problem-solving, self-awareness, sexuality, intimacy, attachment, acceptance, relationships, and more.
1. Until the End of the World: Music from the Motion Picture [SOUNDTRACK]
Original Release Date: 1991
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From Amazon.com: This 1991 companion to German director Wim Wenders's film sets a high watermark for the intelligent use of cutting-edge popular (and we're using that term in its broadest sense) music on film, deservedly cracking onto critical lists for the best releases of that year, period. The contemplative thriller's setting at the end of the millennium is answered by a remarkable repertory of artists including Talking Heads, Neneh Cherry, Lou Reed, Elvis Costello, R.E.M., Nick Cave and The Bad Seeds, Patti Smith, Jane Siberry with k.d. lang, T-Bone Burnett, Daniel Lanois and U2, a de facto dream team. Nearly all these performances were unheard at the time of release, and beyond the evident marquee lustre there's an underlying cohesion to the sense of yearning that prevails. Both Cave and U2 build powerful songs around the title theme, Elvis offers a brilliant Ray Davies cover, and the Siberry/lang classic, "Calling All Angels," summarizes the spiritual underpinnings of this thoroughly modern, ultimately timeless classic in film music.
2. Lost in Translation [SOUNDTRACK]
Original Release Date: 2004
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From Amazon.com: Sofia Coppola has, with two elegant movies, proved herself a talented director with a keen eye for interior life. She's also got great ears. For Lost in Translation, the story of a May-December friendship in Tokyo between two displaced Americans, the score is a tonic for jetlag. Coppola prescribes a dose of shoegazer pop, from My Bloody Valentine's chiming "Sometimes" to Jesus & Mary Chain's fuzzed-out "Just Like Honey." The music nails the hazy conscious state of actors Bill Murray (as a movie star with a midlife crisis) and Scarlett Johansson (as an emotionally marooned twenty-something). It also provides a safe, warm envelope in which they can enact their overseas adventures. Working with producer Brian Reitzell, whose band Air scored her previous Virgin Suicides, Coppola lured Valentine's Kevin Shields into providing several slices of dreamy indie-rock and sonic wallpaper, as stylish as it is formless. There's a welcome bit of Japanese goofiness, a funhouse-mirror reflection of U.S. folk-rock courtesy of early-1970s band Happy End. And a "hidden" track provides the audio of Murray, in the film, doing his sleepy karaoke version of Roxy Music's "More Than This."
Original Release Date: 1998
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From Amazon.com: The debut release by this superstar-Goth outfit shined (and still does) in all its glorious misery and despair. Just how can it be so beautiful? the listener wonders. For one thing, when the project is conceptualized by 4AD Records brain-man Ivo Watts-Russell and includes artists from groundbreaking U.K. bands such as Cocteau Twins, Magazine and Dead Can Dance, and when a chunk of the material is from musical heavyweights such as Tim Buckley (the haunting "Song to the Siren"), Alex Chilton of Big Star (the devastating "Holocaust" and the heartbreakingly lovely "Kangaroo"), and Colin Newman of Wire (the rockin' "Not Me"), you're bound to come up with something that will be remembered and revered by old-school Goths everywhere. This is lush, hypnotic, astonishingly beautiful.
(1987) ~ DVD
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From Amazon.com: Roundly dismissed as one of Steven Spielberg's least successful efforts, this very underrated film poignantly follows the World War II adventures of young Jim (a brilliant Christian Bale), caught in the throes of the fall of China. What if you once had everything and lost it all in an afternoon? What if you were only 12? Bale's transformation, from pampered British ruling-class child to an imprisoned, desperate, nearly feral boy, is nothing short of stunning. Also stunning are exceptional sets, cinematography, and music (the last courtesy of John Williams) that enhance author J.G. Ballard's and screenwriter Tom Stoppard's depiction of another, less familiar casualty of war.
In a time when competitors were releasing "comedic," derivative coming-of-age films, Empire of the Sun stands out as an epic in the classic David Lean sense--despite confusion or perceived competition with the equally excellent The Last Emperor (also released in 1987, and also a coming-of-age in a similar setting). It is also a remarkable testament to, yes, the human spirit. And despite its disappointing box-office returns, Empire of the Sun helped to further establish Spielberg as more than a commercial director and set the standard, tone, and look for future efforts Schindler's List and Saving Private Ryan.
(1999) ~ DVD
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From Amazon.com: "I see dead people," whispers little Cole Sear (Haley Joel Osment), scared to affirm what is to him now a daily occurrence. This peaked 9-year old, already hypersensitive to begin with, is now being haunted by seemingly malevolent spirits. Child psychologist Malcolm Crowe (Bruce Willis) is trying to find out what's triggering Cole's visions, but what appears to be a psychological manifestation turns out to be frighteningly real. It might be enough to scare off a lesser man, but for Malcolm it's personal--several months before, he was accosted and shot by an unhinged patient, who then turned the gun on himself. Since then, Malcolm has been in turmoil--he and his wife (Olivia Williams) are barely speaking, and his life has taken an aimless turn. Having failed his loved ones and himself, he's not about to give up on Cole.
This third feature by M. Night Shyamalan sets itself up as a thriller, poised on the brink of delivering monstrous scares, but gradually evolves into more of a psychological drama with supernatural undertones. Many critics faulted the film for being mawkish and New Age-y, but no matter how you slice it, this is one mightily effective piece of filmmaking. The bare bones of the story are basic enough, but the moody atmosphere created by Shyamalan and cinematographer Tak Fujimoto made this one of the creepiest pictures of 1999, forsaking excessive gore for a sinisterly simple feeling of chilly otherworldliness. Willis is in his strong, silent type mode here, and gives the film wholly over to Osment, whose crumpled face and big eyes convey a child too wise for his years; his scenes with his mother (Toni Collette) are small, heartbreaking marvels. And even if you figure out the film's surprise ending, it packs an amazingly emotional wallop when it comes, and will have you racing to watch the movie again with a new perspective. You may be able to shake off the sentimentality of The Sixth Sense, but its craftsmanship and atmosphere will stay with you for days.
(1995) ~ DVD
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From Amazon.com: Ever since the late '70s when the Australian New Wave was in full surge, Down Under directors have delivered movies that often hit you like news from another planet. Offbeat characters, weird narrative twists, and a tart mixture of laughs and catastrophe--this is the juice that fuels such flicks as Proof, The Adventures of Priscilla, Queen of the Desert, Strictly Ballroom, Heavenly Creatures, and most certainly Muriel's Wedding. Directed by P.J. Hogan (who would go on to helm the Hollywood hit My Best Friend's Wedding), this little gem follows tradition by featuring an authentic misfit: Muriel (Toni Collette), a great overweight horse of a girl obsessed with getting married and the music of ABBA. Appropriately, we first meet Muriel at a wedding, all trussed up in a leopardskin number she's boosted for the occasion. When her snotty peers insist that she give up the bridal bouquet to someone who might actually get hitched, when one of the guests turns out to be a clerk in the very store where Muriel ripped off her outfit--you gotta laugh, she's such an unmitigated mess. A loser, her philandering politician father (Bill Hunter) calls her--along with his doormat wife and his other couch-potato offspring. But this movie's no exercise in geek-bashing. As Muriel takes up with feisty Rhonda (Rachel Griffiths) and moves from Porpoise Spit to the big city, her good-hearted grin and zest for life draw us in despite hilarious gaffes and mishaps. (Making out with a boy for the first time, Muriel suddenly finds herself awash in styrofoam: the oaf has unzipped the beanbag chair instead of her skin-tight leather pants.) Muriel's Wedding covers territory Hollywood would banish from a comedy--Rhonda's cancer, the suicide of Muriel's mother, a marriage of convenience to an arrogant athlete--yet, like its heroine, it never loses its sense of humor, its will to move on to whatever good thing might happen next. Everyone in the idiosyncratic cast is terrific, but it's Toni Collette's Dancing Queen who makes Muriel's Wedding a cinematic celebration you won't forget. | |||||||||
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